It's a fascinating photographic
collection at the Nelson-Atkins Museum in Kansas City. In 1867
photographer Alexander Gardner became part of the survey team for the
Union Pacific Railway. Gardner had once worked in New York for Mathew
Brady, who had produced so many iconic pictures of the Civil War.
While part of the exhibit contains
photographs of Kansas City in 1867-68, Lawrence, Kansas and other
areas, other photographs depict the myriad relations between the U.S.
military, white settlers and the Indians that lived in the region.
These are powerful images, both poignant and hypnotic. See “images.”
In 1868 Gardner went with the Indian
Peace Commission held in Fort Laramie, Wyoming. The Commission was
made up of people sympathetic to Indian culture and their way of life
and those that wanted a “final” solution. It was, however, the
beginning of the end for the Plains Indians.
The American Civil War was over and
the “frontier” was about to be opened up to European-Americans on
a vast scale. We were headed for the Pacific coast. (Still one of the
best accounts on how the railroad opened the West and its
consequences read Richard White's book Railroaded.)
A story for all of us in injun
country
This is not an American story or just
another sad tale about indigenous people worldwide, although it has
directly affected native populations for a long time. It's really
about values, economic systems and what we're willing to consider as
alternatives in the 21st century. See 'tar sands' and
accompanying video.
The U.S. military has used the
expression “going into injun country” for a long time when
embarking on our numerous military campaigns or entering an
especially dangerous area within a country where we're usually not
wanted. The problem is that more and more of us will likely be
considered “hostiles” living in injun country by those few
seeking some type of “final solution.”
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